
年幾越大對音樂欣賞也向後追求多了.....
首出場是流浪者之歌 又名吉卜賽之歌 Zigeunerweisen
小提琴演奏者 Heifetz 海菲茲.
[flash]http://www.youtube.com/v/Fk2kfD5ZKls&hl=zh_TW&fs=1[/flash]
原帖由 foureyesfatboy 於 22-5-2009 07:58 發表年幾越大對音樂欣賞也向後追求多了..... 首出場是流浪者之歌 又名吉卜賽之歌 Zigeunerweisen 小提琴演奏者 Heifetz 海菲茲. http://www.youtube.com/v/Fk2kfD5ZKls&hl=zh_TW&fs=1
正, 有同道中人!!!!

同一首曲, 由作曲家自己拉:
Sarasate Plays Sarasate Zigeunerweisen (1904)
http://www.youtube.com/watch?v=ABm7nMVyNh4&fmt=18
原帖由 LouisLee 於 22-5-2009 09:50 發表正, 有同道中人!!!! 同一首曲, 由作曲家自己拉: Sarasate Plays Sarasate Zigeunerweisen (1904) http://www.youtube.com/watch?v=ABm7nMVyNh4&fmt=18 & ...
我個人對 Heifetz 個版本喜歡多d 可能佢拉得多d 剛陽味多d. 而 Sarasate 拉得憂鬱蒼傷味重. 大家都好因為個曲好
只是個人喜好.
原帖由 foureyesfatboy 於 23-5-2009 03:30 發表我個人對 Heifetz 個版本喜歡多d 可能佢拉得多d 剛陽味多d. 而 Sarasate 拉得憂鬱蒼傷味重. 大家都好因為個曲好 只是個人喜好.
最瞭解作品嘅一定係作曲家自己,「流浪者之歌」本來就應該要沉鬱滄茫, Heifetz 技術係好, 粒粒音都晶瑩剔透, 但係欠缺感情, 表現唔到作品意境。
Alfred Cortot - Chopin Nocturne in E Flat Major No.2 (1929)
http://www.youtube.com/watch?v=ta2-9f9KfzE&fmt=18
Alfred Cortot - Chopin Waltz in C Sharp Minor (1929)
http://www.youtube.com/watch?v=dMehaq72lLk&fmt=18
Alfred Cortot plays Chopin's Etude, op. 10 no. 12
http://www.youtube.com/watch?v=7d7yiyJe7KU&fmt=18
ALFRED CORTOT - Chopin Etude no.7 op.25
http://www.youtube.com/watch?v=54A9A--ED90&fmt=18
Alfred Cortot - IMPROMPTU 1 (CHOPIN)
http://www.youtube.com/watch?v=yMM3xbjM5kk&fmt=18
Chopin - Prélude nº20 - Alfred Cortot
http://www.youtube.com/watch?v=yKI4p87r9Ek&fmt=18
原帖由 Kal-El 於 23-5-2009 22:22 發表http://www.youtube.com/watch?v=LlLPLO90fSkSmetana 我的祖國 中 的 莫爾道河, 好似真係置身於一個美麗的環境中....值得一聽
呢個版本都好正:
Ferenc Fricsay Conducts The Moldau
http://www.youtube.com/watch?v=-fsYPz4aWnc&fmt=18
原帖由 LouisLee 於 24-5-2009 00:50 發表呢個版本都好正: Ferenc Fricsay Conducts The Moldau http://www.youtube.com/watch?v=-fsYPz4aWnc&fmt=18
原帖由 Kal-El 於 24-5-2009 01:00 發表可能係個人偏愛問題, 十多年前, 我買碟時, 因為碟好貴, 一般來說, 如果我見到有卡拉揚指揮的話, 果個版本會係我購買的首選, 因為我冇機會每一隻碟都折開黎比較, 唯有係咁買.....依家就唔同, 因為我上珠海用6個 ...
Ferenc Fricsay cond. Dvorak Symph. No 9
1st Mov
http://www.youtube.com/watch?v=gV-XGX2AVz4&fmt=18
2nd Mov
http://www.youtube.com/watch?v=_l3iio-Nju0&fmt=18
http://www.youtube.com/watch?v=s2lMxtGTw7w&fmt=18
3rd Mov
http://www.youtube.com/watch?v=xPQfdyTMLJQ&fmt=18
4th Mov
http://www.youtube.com/watch?v=1grGSJlbUnE&fmt=18
http://www.youtube.com/watch?v=wHfXdmLD7OE&fmt=18
Vs
卡叔版:
1st movement;
http://www.youtube.com/watch?v=tmZ25MDvzNU&fmt=18
2nd movement:
http://www.youtube.com/watch?v=aYl4Xb4cDQ8&fmt=18
http://www.youtube.com/watch?v=229MtHJRvUw&fmt=18
3rd movement
http://www.youtube.com/watch?v=-pLIBWyFBIg&fmt=18
4th movement
http://www.youtube.com/watch?v=Vlci-kCEaKE&fmt=18
原帖由 LouisLee 於 24-5-2009 01:44 發表Ferenc Fricsay cond. Dvorak Symph. No 9 1st Mov http://www.youtube.com/watch?v=gV-XGX2AVz4&fmt=18 2nd Mov http://www.youtube.com/watch?v= ...
原帖由 LouisLee 於 23-5-2009 10:06 發表最瞭解作品嘅一定係作曲家自己,「流浪者之歌」本來就應該要沉鬱滄茫, Heifetz 技術係好, 粒粒音都晶瑩剔透, 但係欠缺感情, 表現唔到作品意境。
我的收藏中, 過半數以上都係莫扎特的...其他夾夾埋埋都唔夠佢多....呵...又係個人偏好問題啦....大家唔好見怪啱啱搵到 D 超珍貴嘅錄音:
Francis Planté (1839-1934): Chopin - Etude op.10 no.4 C#min
http://www.youtube.com/watch?v=dYrJXXN_8hk&fmt=18
Francis Planté (1839-1934): Chopin - Etude op.10 no.5 in Gb
http://www.youtube.com/watch?v=3KKLDBSlEIw&fmt=18
Francis Planté (1839-1934): Chopin - Etude op.25 no.11 Amin
http://www.youtube.com/watch?v=Z2f_CJ4gOMY&fmt=18
Francis Planté (1839-1934): Chopin - Etude op.25 no.1 in Ab
http://www.youtube.com/watch?v=06VHpoqbFzI&fmt=18
Francis Plante(1839-1934) plays Chopin Etude Op.10 No.7
http://www.youtube.com/watch?v=u91uFQ-WjAI&fmt=18
Francis Planté (1839-1934): Boccherini - Minuetto
http://www.youtube.com/watch?v=-kig9iELknY&fmt=18
Planté (1839-1934): Mendelssohn - Song Without Words op.62 no.6
http://www.youtube.com/watch?v=0aDMQoyvzy8&fmt=18
Planté (1839-1934): Mendelssohn - Song Without Words op.67 no.4
http://www.youtube.com/watch?v=YdXkD2yJIi4&fmt=18
Planté (1839-1934): Mendelssohn - Song Without Words op.67 no.6
http://www.youtube.com/watch?v=_yjBj5F3tUM&fmt=18
Francis Plante plays "Serenade of Mephistopheles" by Berlioz
http://www.youtube.com/watch?v=KeTWjGRbHq8&fmt=18

Francis Planté was France's most important pianist in the nineteenth century, after Chopin. He started his concert life at age seven in Paris, where Chopin was also performing, and so heard him play. By 1850 he had won a First Prize from the Paris Conservatoire. He went on to befriend Rossini, through whom he was introduced to most of the important musical figures of the day, many of whom he got to know and with whom he formed lasting friendships. During the 1860s he duetted with both Saint-Saëns and Liszt, and established himself as the leading French pianist of the day. He was recorded at age 89, rather past his best no doubt, in a single set of specially arranged recording sessions in his own retirement villa over a few days in 1928.
His musical style has its roots in the French tradition of crisp and accurate finesse, a sort of pearly-clean touch and not vast amounts of indulgence in romantic tugging at the rhythms. He was best known for the shorter romantic works in the piano repertoire, but it is a moot point as to how much his own playing resembles that of pianists such as Chopin (when we compare him to performers such as Koczalski, Rosenthal and Pachmann for example, all of whom had attachments to the "authentic" Chopin tradition).
89 歲仲可以彈到咁生猛咁熱血, 真係服咗佢!!!!!
原帖由 Kal-El 於 24-5-2009 01:00 發表可能係個人偏愛問題, 十多年前, 我買碟時, 因為碟好貴, 一般來說, 如果我見到有卡拉揚指揮的話, 果個版本會係我購買的首選, 因為我冇機會每一隻碟都折開黎比較, 唯有係咁買.....依家就唔同, 因為我上珠海用6個 ...
原來Kal-El 兄都鐘意聽歌劇!
魔笛同費加洛的婚禮你鐘意邊個版本多d?我手上有葛貝樂娃同費雪.狄斯考等人主演的dvd版本.女人皆如是cd就最鐘意克勞斯及舒雅茨歌夫的version
.如果鐘意聽輕鬆一點的歌劇,咁你一定應該唔會錯過羅西尼的曲目.
卡拉揚雖然是上世紀其中一個最偉大的指揮家,但他糟蹋歌唱家在行內亦是出了名的
,所以我至今還是不大喜歡他
.我反而比較喜歡伯因斯坦
.他二人作古後,現時比較喜歡日裔的小澤正二.
原帖由 虎榮 於 24-5-2009 18:05 發表原來Kal-El 兄都鐘意聽歌劇! 魔笛同費加洛的婚禮你鐘意邊個版本多d?我手上有葛貝樂娃同費雪.狄斯考等人主演的dvd版本.費加洛的婚禮cd就最鐘意克勞斯及舒雅茨歌夫的version .如果鐘意聽 ...
) 仲有羅西尼 威廉泰爾(比你估中左, 我幾鐘意佢的)...同埋蝴蝶夫人(當然係唔多鐘意, 只鐘意入面入幾首arias詠嘆調)


原帖由 Kal-El 於 25-5-2009 12:09 發表http://www.youtube.com/watch?v=jHRWA77vnN0呢首費加洛的婚禮中一首 Voi Che Sapete 係我最鐘意的詠嘆調中其中一首...超正的
Berganza - Jochum - Mozart : "Voi che sapete"
http://www.youtube.com/watch?v=fEqAXXD98hQ&fmt=18
Simionato - Voi che sapete (Tokyo 1956)
http://www.youtube.com/watch?v=sSNKuv1zxog&fmt=18
Giulietta Simionato sings the Cherubino aria "Voi che sapete" from Mozart's "Le Nozze di Figaro". Tokyo 1956.
Victoria de los Angeles sings "Voi che sapete"
http://www.youtube.com/watch?v=DFmN6CtlUlg&fmt=18
With The RTVE Orchestra. Odón Alonso conductor. Madrid, 1972
原帖由 LouisLee 於 25-5-2009 20:44 發表Berganza - Jochum - Mozart : "Voi che sapete" http://www.youtube.com/watch?v=fEqAXXD98hQ&fmt=18 Simionato - Voi che sapete (Tokyo 1956) http://www ...
英雄所見略同!!!
That' why 我將條 link 排第一!!!
大熒幕超高清版:
http://www.medici.tv/#/movie/564/
Rachmaninoff plays Rhapsody on a Theme of Paganini
Part 1:
http://www.youtube.com/watch?v=ORP4dlwNsKM&fmt=18
Part 2:
http://www.youtube.com/watch?v=_Fjoj_fTeOk&fmt=18
Part 3:
http://www.youtube.com/watch?v=IMNX3WBF2JI&fmt=18
Rhapsody on a Theme of Paganini in A minor for piano & orchestra, Op. 43
Philadelphia Orchestra Conducted by Leopold Stokowski
Sergei Rachmaninoff, piano
LouisLee兄好勁!
多謝你d好介紹.
你有否為音樂雜誌客串寫稿呢?
原帖由 Kal-El 於 25-5-2009 12:04 發表我依家番緊工, 都冇辨法拿碟出來看, 但魔笛我有dvd版, 有得睇的, 同埋cd版, 淨聽的, 反而我覺得我手上的cd版會比較出色, 我手上仲有 比較鐘意的歌劇仲有 唐.喬凡尼....比才 的 卡門(係3cd完整版, 好似係蕭提指揮...唔 ...
我部份DVD珍藏!
呢套費加洛的婚禮應該是best buy version! Casts 一時無兩!
套杜蘭多唔系Kal-El兄你口味,不過系美國大都會歌劇院出品,品質有保証.

下面兩套羅西尼作品相當不錯,Kal-El 兄鐘意費加洛的婚禮,點可以錯過作為劇本上集的塞爾維亞理髮師.
仙覆奇緣/灰姑娘拍得相當不錯!
Von Stade差不多是近40年歌劇史上最美的灰姑娘
,Araiza雖然不是最好的白馬王子(高度上
),但拍攝時正處巔峰狀態,音色明亮,唱起來生龍活虎!

這套大都會歌劇院上世紀80年代製作的華格納指環全集,相信是市面上其中一個最好的版本.CD version就當然是由肅提爵士指揮的指環全集為泰山北斗.
下面套由Maria Ewing主演的Carmen是近代作品,我比較喜歡杜鳴高的版本.

正
有同道....
有Louie 兄 同其他餅友支持小弟D個帖...多謝. 小弟只是初學者.
多多指點.
Martzy 拉 Bach 點聽? 可能是女性同演奏生涯短 後退出了到 1979 年底調地去世.
[flash]http://www.youtube.com/v/vucrKJm9EHk&hl=zh_TW&fs=1[/flash]原帖由 foureyesfatboy 於 27-5-2009 01:42 發表正 有同道.... 有Louie 兄 同其他餅友支持小弟D個帖...多謝. 小弟只是初學者. 多多指點. Martzy 拉 Bach 點聽? 可能是女性同演奏生涯短 後退出了到 1979 年底調地去世.http://www.y ...
Martzy 拉 Bach 直頭正到無倫啦, 有感情, 有個性, 佢嘅琴藝的確深得佢師傅 Jeno Hubay 真傳, 無奈 EMI 唔識貨, 掛住捧 Oistrakh 同 Kogan 打咗佢入冷宮, 要佢死後廿幾年至開始受人注視!!!
太過獎喇, 我未正式學過樂理, 純粹齋聽, 邊有資格寫稿呀!!!
Johanna Martzy Bach Chaconne from Partita #2
Part I
http://www.youtube.com/watch?v=Dx5qN_Y92IY&fmt=18
Part II
http://www.youtube.com/watch?v=hbSh6AgRBzQ&fmt=18
Martzy plays Bach (BWV.1001) 高清版
http://www.youtube.com/watch?v=vucrKJm9EHk&fmt=18
Bach Adagio g-minor played by Joseph Joachim 1904
http://www.youtube.com/watch?v=i3wysuAIDGc&fmt=18
Joseph Joachim plays Brahms Hungarian Dance #1
http://www.youtube.com/watch?v=f-p8YeIQkxs&fmt=18
Joseph Joachim - Brahms' Hungarian Dance No.2 (1903)
http://www.youtube.com/watch?v=lV_YXtUs_Ow&fmt=18
Eugene Ysaye plays Hungarian dance No. 5 (Brahms)
http://www.youtube.com/watch?v=jpf4_aDR5Bg&fmt=18
Eugene Ysaye plays Hungarian dance No. 5 (Brahms - arr. Joseph Joachim)
Recorded 1915.
Eugene Ysaye plays Humoressque in G-flat Major (Dvorak)
http://www.youtube.com/watch?v=6gEYKfp5zbs&fmt=18
Eugene Ysaye plays Humoressque in G-flat Major, Op.101, No.7(Dvorak - Arr. Kreisler)
Recorded 1915.
Eugene Ysaye plays Piece Pittoresque No.10 (Chabrier)
http://www.youtube.com/watch?v=3n9268biPSY&fmt=18
Eugene Ysaye plays Piece Pittoresque No.10 (Chabrier - Arr. Loeffler)
Recorded 1915
Eugene Ysaye plays "prize song" (Wagner)
http://www.youtube.com/watch?v=VK3VXXtwNQA&fmt=18
Eugene Ysaye plays "prize song" From die Meistersinger von Nurunberg(Wagner - arr. Wilhelmj)
Recorded 1915
Eugene Ysaye plays Caprice Viennois Op.2 (Kreisler)
http://www.youtube.com/watch?v=-d_v48ROsoY&fmt=18
Ysaye plays Ysaye : Reve D'enfant Op.14
http://www.youtube.com/watch?v=9v0xkxqRxCQ&fmt=18
Eugene Ysaye plays Reve D'enfant Op.14 (Ysaye)
Recorded 1915.
Eugene Ysaye plays Berceuse Op.16 (Fauré)
http://www.youtube.com/watch?v=pn3Lgmv9K8E&fmt=18
原帖由 虎榮 於 27-5-2009 01:37 發表我部份DVD珍藏! 呢套費加洛的婚禮應該是best buy version! Casts 一時無兩! 套杜蘭多唔系Kal-El兄你口味,不過系美國大都會歌劇院出品,品質有保証. 下面兩套羅西尼作品相 ...
)..........你張費加洛在出面仲可唔可以搵到......Emil von Sauer (1862-1942): Chopin - Fantasy-Impromptu op.66
http://www.youtube.com/watch?v=UMqzr88QVic&fmt=18
Emil von Sauer (1862-1942): Chopin - Berceuse in Db op. 57
http://www.youtube.com/watch?v=iMRkcPBc1zc&fmt=18
Emil von Sauer (1862-1942): Chopin - Nocturne in Eb op.9 no2
http://www.youtube.com/watch?v=sTC0kIodTrY&fmt=18
Emil von Sauer (1862-1942): Chopin - Waltz in E min op.posth
http://www.youtube.com/watch?v=DN8o9_UEMwg&fmt=18
Emil von Sauer (1862-1942): Liszt - Etude: "La Campanella"
http://www.youtube.com/watch?v=g_ifupYBjRo&fmt=18
Emil von Sauer (1862-1942): Liszt - Etude: "Ricordanza"
http://www.youtube.com/watch?v=8sRGdiXTgEk&fmt=18
Emil von Sauer (1862-1942): Liszt - Etude: "Gnomenreigen"
http://www.youtube.com/watch?v=2HXNlgx8KRg&fmt=18
Emil von Sauer (1862-1942): Liszt - Liebestraum no. 3
http://www.youtube.com/watch?v=wqHZ3pvXH8c&fmt=18
Emil von Sauer (1862-1942): Liszt - Valse Oubliée no.1
http://www.youtube.com/watch?v=3Ed0__aSINc&fmt=18
Emil von Sauer (1862-1942): Liszt - Consolation no.3 in Db
http://www.youtube.com/watch?v=gdt04xPdm8g&fmt=18
Emil von Sauer (1862-1942): Liszt - Hungarian Rhapsody no.15
http://www.youtube.com/watch?v=tUoit96G9EI&fmt=18
Emil von Sauer (1862-1942): Liszt - Valse Oubliée no.1
http://www.youtube.com/watch?v=3Ed0__aSINc&fmt=18
Emil von Sauer (1862-1942): Galop de Concert
http://www.youtube.com/watch?v=PngGyL3X8wc&fmt=18
Emil von Sauer (1862-1942): Echo aus Wien
http://www.youtube.com/watch?v=n9BRzXoA9rg&fmt=18
Emil von Sauer (1862-1942): Schumann - Traumeswirren
http://www.youtube.com/watch?v=780v2he9TD4&fmt=18
Emil von Sauer (1862-1942): Schumann - Carneval op.9
part 1
http://www.youtube.com/watch?v=-KxThSO4ZNY&fmt=18
part 2
http://www.youtube.com/watch?v=UiXc81SP05Q&fmt=18
Emil von Sauer (1862-1942): Beethoven - Turkish March
http://www.youtube.com/watch?v=ScTC_QaBfek&fmt=18
Emil von Sauer (1862-1942): Strauss - The Blue Danube
http://www.youtube.com/watch?v=O5gc69NP2iE&fmt=18
Emil von Sauer was a pupil of Liszt (1811-1886), who made probably the most successful recordings of any of the Liszt pupils. Saue Emil von Sauer was a pupil of Liszt (1811-1886), who made probably the most successful recordings of any of the Liszt pupils. Saue Emil von Sauer was a pupil of Liszt (1811-1886), who made probably the most successful recordings of any of the Liszt pupils. Sauer was noted for his aristocratic approach to music-making, with lashings of charm, elegance and style backed up by phenomenal technique.
原帖由 LouisLee 於 28-5-2009 01:18 發表Emil von Sauer (1862-1942): Chopin - Fantasy-Impromptu op.66 http://www.youtube.com/watch?v=UMqzr88QVic&fmt=18 Emil von Sauer (1862-1942): Chopin - Berceuse in Db op. ...
呢個可能係我對莫扎特的偏好造成的結果
Mozart - Turkish March by Wanda Landowska (Harpsicord)
http://www.youtube.com/watch?v=T301Q7zqWVQ&fmt=18
用 Harpsicord 彈, 最有特色, 最「夠薑」嘅版本!!!
Landowska plays Mozart Piano Concerto KV 537
1. Allegro (beginning)
http://www.youtube.com/watch?v=r5pYjhemYXs&fmt=18
1.Allegro (conclusion) Cadenza: Wanda Landowska
http://www.youtube.com/watch?v=BW9H2nJsnfw&fmt=18
2. Larghetto
http://www.youtube.com/watch?v=6hyIy9OdqS4&fmt=18
3. Allegretto
http://www.youtube.com/watch?v=Fxx9PONqMBo&fmt=18
Wanda Landowska, piano
London Philharmonic Orchestra
Walter Goehr
Recorded in 1937
Landowska plays Mozart Sonata no. 17 in D KV 576
Allegro
http://www.youtube.com/watch?v=jd5DjzGDs54&fmt=18
Adagio
http://www.youtube.com/watch?v=MX88LlrcrGw&fmt=18
Allegretto
http://www.youtube.com/watch?v=aB7yKBHY76E&fmt=18
Recorded in 1938 on a Pleyel (piano, not harpsichord this time!)
Wanda Landowska (July 5, 1879-August 16, 1959), was a Polish (later a naturalized French citizen) harpsichordist whose performances, teaching, recordings and writings played a large role in reviving the popularity of the harpsichord in the early 20th century. She was the first person to record Bach's Goldberg Variations on the harpsichord (1931).
Landowska was born in Warsaw, where her father was a lawyer, and her mother a linguist who translated Mark Twain into Polish. She began playing piano at the age of four, and studied at the Warsaw Conservatory with Jan Kleczynski and Alexander Michalowski. She also studied composition with Heinrich Urban in Berlin. After marrying the Polish folklorist Henry Lew in 1900 in Paris, she taught piano at the Schola Cantorum there (1900-1912).
She later taught harpsichord at the Berlin Hochschule für Musik (1912-1919). Deeply interested in musicology, and particularly in the works of Bach, Couperin and Rameau, she toured the museums of Europe looking at original keyboard instruments; she acquired old instruments and had new ones made at her request by Pleyel and Company. These were large, heavily-built harpsichords with a 16-foot stop (a set of strings an octave below normal pitch) and owed much to piano construction. They have largely fallen out of fashion in the past four decades, and have done much to harm the modern appreciation of Landowska's recordings.
Responding to criticism by fellow harpsichordist Rosalyn Tureck, she once said: "You play Bach your way, and I'll play him his way."
A number of important new works were written for her: Manuel de Falla's El retablo de maese Pedro marked the return of the harpsichord to the modern orchestra. Falla later wrote a harpsichord concerto for her, and Francis Poulenc composed his Concert champêtre for her.
She established the École de Musique Ancienne at Paris in 1925: from 1927, her home in Saint-Leu-la-Forêt became a center for the performance and study of old music. When Germany invaded France, the Jewish Landowska escaped with her assistant and companion Denise Restout, leaving Saint-Leu in 1940, sojourning in southern France, and finally sailing from Lisbon to the United States. She arrived in New York on December 7, 1941. The house in Saint-Leu was looted, and her instruments and manuscripts stolen, so she arrived in the United States essentially without assets. She settled in Lakeville, Connecticut in 1949 and re-established herself as a performer and teacher in the United States, touring extensively. Her life companion Denise Restout was editor and translator of her writings on music, including Musique ancienne, and Landowska on Music.
(Source: Wikipedia)
Wanda Landowska 1948 年超級發燒錄音
Johann Sebastian Bach Chromatic Fantasia and Fugue in D minor BWV 903
part 1
http://www.youtube.com/watch?v=2IvgCllPSPc&fmt=18
part 2
http://www.youtube.com/watch?v=eVTRf89LuQg&fmt=18
Wanda Landowska plays Francois Couperin
http://www.youtube.com/watch?v=OAoc2HHmtmA&fmt=18
Wanda Landowska plays Mozart Piano Concerto No. 22 in E flat major KV 482
I. Allegro part 1
http://www.youtube.com/watch?v=My07hzxaHzY&fmt=18
I. Allegro part 2
http://www.youtube.com/watch?v=AVqsGHOi_H8&fmt=18
II. Andante part 1
http://www.youtube.com/watch?v=NCrL7zVFCbY&fmt=18
II. Andante part 2
http://www.youtube.com/watch?v=E0JKOpg9VOY&fmt=18
III. Allegro part 1
http://www.youtube.com/watch?v=VzqCgETJaUQ&fmt=18
III. Allegro part 3
http://www.youtube.com/watch?v=bunrqV9jhOo&fmt=18
New York Philharmonic Orchestra
Conductor : Artur Rodzinsky
Recorded in 1945
Arthur Nikisch Conducts Beethoven Symphony No.5 (1913)
Mvt 1
http://www.youtube.com/watch?v=SFY1s6y6r5M&fmt=18
Mvt 2
http://www.youtube.com/watch?v=9EZjtHTQCPc&fmt=18
Mvt 3
http://www.youtube.com/watch?v=p4OTCfV9xoM&fmt=18
Mvt 4
http://www.youtube.com/watch?v=SKkNcp2wIOU&fmt=18
The great Hungarian conductor Arthur Nikisch (1855-1922) leads the Berlin Philharmonic in Beethoven's fifth symphony. This was recorded in 1913 and is one of the the first complete recordings of any major symphony.
1913 年仲係 Acoustic Recording 年代, 當時仲未有咪, 一隊 Orchestra 逼埋喺個細密室, 對住個 Horn 錄音, 類似以下咁嘅環境:

喺咁惡劣嘅環境, 咁原始嘅設備, 仲可以演奏得咁有氣勢, 可謂奇蹟, 不得不佩服 Nikisch 呢位傳奇指揮大師嘅深厚功力!!!
Deanna Durbin - Danny Boy (Adapted from "Londonderry Air")
http://www.youtube.com/watch?v=j32Fnb_8Bv4&fmt=18
Performer - Deanna Durbin
Lyrics - Frederick Weatherly
The famous ballad "Danny Boy", ironically, was written by a man who never set foot in Ireland. Weatherly, an English barrister who was also a prolific poet, had originally set "Danny Boy" to music he had composed. The song was not successful. When he heard the "Londonderry Air", he realized that "Danny Boy" would fit nicely to that tune. Over 100 songs have been set to "Londonderry Air", but "Danny Boy" is the most famous. Band and orchestral musicians will also recognize the tune as Grainger's "Irish Tune from County Derry".
Oh, Danny boy, the pipes, the pipes are calling,
From glen to glen and down the mountain side;
The summer's gone, and all the roses falling;
It's you, it's you must go, and I must bide.
But come ye back when summer's in the meadow,
Or when the valley's hushed and white with snow;
I'll be here in sunshine or in shadow;
Danny boy, Oh Danny boy, I love you so.
But if ye come and all the flowers are dying,
If I am dead, as dead I well may be.
Ye'll come and find the place where I am lying,
And kneel and say an "Ave" there for me.
And I will know, 'though soft ye tread around me,
And then my grave shall richer sweeter be,
Then you'll bend down and tell me that you love me,
And I shall sleep in peace until you come to me.
人靚聲甜, 超正!!!
Hugo and Fritz Kreisler - "Londonderry Air"
http://www.youtube.com/watch?v=OoI3kQlg_9M&fmt=18
Hugo Kreisler on cello, Fritz Kreisler on violin, and Charlton Keith on piano playing "Londonderry Air" .
Fritz Kreisler plays Londonderry Air
http://www.youtube.com/watch?v=kQPYLCBCTIQ&fmt=18
Shumsky playing Kreisler's Londonderry Air
http://www.youtube.com/watch?v=zjryOEqXkdo&fmt=18
LouisLee兄你太謙啦!
睇你d介紹同分釋就知有料到
,以後請多多指教.
原帖由 Kal-El 於 27-5-2009 22:09 發表其實大家當初係點接觸到古典音樂的....我本人就因為讀書時, 要修4個學分的通識課程, 所以選在 '古典音樂欣賞入門' 同埋 '歌劇芭蕾名作欣賞' 兩個, 自己以為呢兩科係好有營養的學分, 點知就係咁, 比人導左, 鐘意左古典 ...
都成25年前o既事lor!
當時我有個朋友是江樺(唔系做戲果過
,呢位系當年香港女高音第一把交椅)的學生,又是聖堂聖詠團指揮,佢見我有d興趣發掘呢方面興趣,咪點條明路我行,請我呢個年輕人(我當時真系好年輕架!
)去聽一個匈牙利合唱團的音樂會,當晚全院滿座,唱o既就系:布朗尼之歌(另譯:布蘭詩歌),佢地一開口就唱下面首 O Fortuna, 非常振撼(其實當時首歌令我好驚!
)!從始就上左賊船啦!
如果要買cd,以西班牙鬼才指揮Andre Previn 的 EMI Remaster Version (Carl Orff - Carmina Burana)為最佳.合唱及獨唱部份皆為水準之上,Tomas Allen, Armstrong的演譯更是一絶.美國大師羅伯蕭版本亦可以考慮,合唱部份充滿神聖火力,但獨唱部份的歌者則不如Andre Previn 的版本,這兩個版本應該可在HMV及Hong Kong Records找到,尤其是後者.
原帖由 Kal-El 於 27-5-2009 22:16 發表塞維亞的理髮師, 差不多係最先接觸到的一部歌劇, 你的版本中, 只有卡門那版本看過, 但我總覺得那女主角不是好襯套劇中的角色(可能我有種族歧視, 呵呵...)..........你張費加洛在出面仲可唔可以搵到......
Maria是白人及印第安人的混血兒,所以你會覺得她樣子有點不像吧.
當然如果你看過杜鳴高的電影版本,咁你就唔駛再揾啦!完美的卡門就在當中!
我套費加洛在HMV及Hong Kong Records都應該有.想買平價版,深水埗黃金商場入面有間好大間專買dvdo既鋪頭,入面亦有專買古典dvd,應該可以找到,另外黃金商場地庫(近電梯)亦有間類似鋪頭,但規模及種類就少好多.
Antonio Vivaldi- The Four Seasons 錄音史上最佳版本
Spring
http://www.youtube.com/watch?v=t2cIUu-sS7w&fmt=18
http://www.youtube.com/watch?v=GDp88FoSUlk&fmt=18
http://www.youtube.com/watch?v=ZABW32wpgos&fmt=18
Summer
http://www.youtube.com/watch?v=ceFw309vmWA&fmt=18
http://www.youtube.com/watch?v=4Hnm4uqLol8&fmt=18
http://www.youtube.com/watch?v=Nx5c_JZIM6M&fmt=18
Fall
http://www.youtube.com/watch?v=zCVSZU9jXyk&fmt=18
http://www.youtube.com/watch?v=nDXy--Ytj0c&fmt=18
http://www.youtube.com/watch?v=GOWzwFTEUd0&fmt=18
Winter
http://www.youtube.com/watch?v=p5gcGOJS2v4&fmt=18
http://www.youtube.com/watch?v=r1PJvJDhIqI&fmt=18
http://www.youtube.com/watch?v=Km23ofHAYHA&fmt=18
Recorded in 1957 in Vienna.
Violinist Jan Tomasow, and Anton Heiller on Continuo.
Played by I Solisti Di Zagreb, conducted by Antonio Janigro.
"The best interpretation of this work during the past twenty years"
- Igor Stravinsky
原帖由 LouisLee 於 31-5-2009 16:02 發表Antonio Vivaldi- The Four Seasons 錄音史上最佳版本 Spring http://www.youtube.com/watch?v=t2cIUu-sS7w&fmt=18 http://www.youtube.com/watch?v=GDp88FoSUlk&fmt=18 ...
剛聽完所有選段!
超正!
想不到1957年的錄音可以這麼明亮清澈!我非常喜歡Spring and Winter的選段,特別是冬之樂章.演奏家們的演奏乾淨俐落,一丁點碎音也沒有,音質粒粒精瑩通透!一個字:爽!
LouisLee兄有多一些關於他們的資料嗎?
J.S. Bach: Concerto for harpsichord in D minor BWV 1052
Allegro
http://www.youtube.com/watch?v=ssUM5nPpk90&fmt=18
Adagio
http://www.youtube.com/watch?v=XInrfQjwlbE&fmt=18
Allegro
http://www.youtube.com/watch?v=KWl-bzokr-A&fmt=18
Gustav Leonhardt, Collegium Aureum
原帖由 虎榮 於 31-5-2009 17:02 發表![]()
剛聽完所有選段!
超正!
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想不到1957年的錄音可以這麼明亮清澈!我非常喜歡Spring and Winter的選段,特別是冬之樂章.演奏家們的演奏乾淨俐落,一丁點碎音也沒有,音質粒粒精瑩通透!一個字:爽!
LouisLee兄有多一些關於他們的資料嗎?
果然識貨, 五、六十年代嘅「黃金膽」錄音好多時都會砌底家陣啲 Digital Recordings!!!


Antonio Janigro
http://en.wikipedia.org/wiki/Antonio_Janigro
Antonio Janigro (January 21, 1918 - May 1, 1989) was an Italian cellist. Born in Milan, he began studying piano when he was six and cello when he was eight. Initially taught by Giovanni Berti, Janigro enrolled in the Verdi Conservatory of Milan, where he was instructed by Gilberto Crepax. By 1934 Janigro was studying under Diran Alexanian and Pablo Casals at the École Normale in Paris. He graduated from the school in 1934 and began performing solo and in recitals with Dinu Lipatti and Paul Badura-Skoda.
An unfortunately timed vacation in Yugoslavia left Janigro stranded in that country for the duration of World War II. He became a professor of cello and chamber music at the Zagreb Conservatory, where his influence developed modern cello playing in Yugoslavia. He also performed as part of the Maček-Šulek-Janigro Trio. At war's end Janigro travelled throughout South America and the Far East as a soloist. In 1959, he was Fritz Reiner's soloist, along with Milton Preves and John Weicher, in a renowned Chicago Symphony Orchestra recording of Strauss's Don Quixote.
An extraordinarily gifted teacher, Janigro educated many cellists around the world. Most of them studied at the Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart and the Mozarteum Salzburg. Among his students were Julius Berger, Mario Brunello, Thomas Demenga, Michael Flaksman, Michael Groß, Antonio Meneses, Andrej Petrac, Mario de Secondi, Giovanni Sollima, Gustavo Tavares, and Christoph Theinert.
Janigro was a highly-regarded conductor who led a symphony orchestra for Radio Zagreb and guest-conducted throughout Europe. The chamber orchestra I Solisti di Zagreb was created by Janigro, who lived in Zagreb until his death whilst in Milan in 1989.
I Solisti di Zagreb
http://en.wikipedia.org/wiki/I_Solisti_di_Zagreb
I Solisti di Zagreb is a chamber orchestra founded in 1953 as an ensemble of the Zagreb Radio and Television under the artistic leadership of the violoncellist and conductor Antonio Janigro. In 1968 Janigro left the ensemble, and since than the band was led by the concert-master Dragutin Hrdjok. After Hrdjok, they found their longtime artistic director and concertmaster Tonko Ninić. In 1997 the leader position was filled by Anđelko Krpan, and in 2002 the artistic director of the ensemble was Karlo Slobodan Fio. From 2006 concert-master and artistic leader is Borivoj Martinic-Jercic.
They have given over 3,000 concerts in all continents, thus winning recognition as well as public and critical acclaim in the major centers of music and famous concert halls, such as Musikverein (Vienna), Concertgebouw (Amsterdam), the Royal Festival Hall (London), Berlin Philharmonic Hall (Berlin), Santa Cecilia (Rome), Salle Pleyel (Paris), Carnegie Hall (New York), Opera House (Sydney), Victoria Hall (Geneva), Teatro Real (Madrid), Teatro Colón (Buenos Aires), etc.
LouisLee兄,多謝你d資料!
等我下次去唱片鋪,睇下有冇佢地d錄音先!
Antonio Vivaldi- Concerto in G Major for Two Mandolins, Strings and Organ
Allegro
http://www.youtube.com/watch?v=6oJFDQh_WrY&fmt=18
Andante
http://www.youtube.com/watch?v=pV9Y14Op7Tc&fmt=18
Allegro
http://www.youtube.com/watch?v=fATAytNdiLo&fmt=18
Georges BIZET: Carmen & L'Arlésienne Suites - STOKOWSKI
http://www.youtube.com/watch?v=6-lEsXVAjas&fmt=18
- Prélude. Andante moderato (Prelude to Act I)
- Aragonaise. Allegro vivo (Prelude to Act IV)
- Habanera. Allegretto quasi Andantino (Act I)
- IV. Farandole. Allegro deciso (Tempo di Marcia) - Allegro vivo e deciso
Bizet - L'Arlesienne Suite No.2 IV. Farandole
http://www.youtube.com/watch?v=nNIIgaBd3RE&fmt=18
Bizet - L'Arlesienne Suite No.2 IV. Farandole
Conductor : Claudio Abbado Berliner Philharmoniker / New Year's Eve Gala 1998
原帖由 虎榮 於 31-5-2009 15:34 發表Maria是白人及印第安人的混血兒,所以你會覺得她樣子有點不像吧. 當然如果你看過杜鳴高的電影版本,咁你就唔駛再揾啦!完美的卡門就在當中! 我套費加洛在HMV及Hong Kong Records都應該 ...

原帖由 LouisLee 於 31-5-2009 16:02 發表Antonio Vivaldi- The Four Seasons 錄音史上最佳版本 Spring http://www.youtube.com/watch?v=t2cIUu-sS7w&fmt=18 http://www.youtube.com/watch?v=GDp88FoSUlk&fmt=18 ...
原帖由 LouisLee 於 31-5-2009 17:33 發表果然識貨, 五、六十年代嘅「黃金膽」錄音好多時都會砌底家陣啲 Digital Recordings!!! Antonio Janigro http://en.wikipedia.org/wiki/Antonio_Janigro ...
家陣 D 數碼器材, 數據就寫到天下無敵, 但係錄出嚟嘅質感好多時都比唔上半世紀前嘅膽機錄音, 真係唔知究竟係石機不如膽機, 還是錄音師嘅功力問題???
原帖由 LouisLee 於 7-6-2009 14:03 發表家陣 D 數碼器材, 數據就寫到天下無敵, 但係錄出嚟嘅質感好多時都比唔上半世紀前嘅膽機錄音, 真係唔知究竟係石機不如膽機, 還是錄音師嘅功力問題???
亦有可能係演出者的問題, 以前的大師級人物真係比較多, 可能現代享受太多, 令到佢地都疏於練習
原帖由 LouisLee 於 7-6-2009 14:03 發表家陣 D 數碼器材, 數據就寫到天下無敵, 但係錄出嚟嘅質感好多時都比唔上半世紀前嘅膽機錄音, 真係唔知究竟係石機不如膽機, 還是錄音師嘅功力問題???
我發覺好多時膽機錄出來的音質好有透明感,有時好似現場一樣,特別是人聲的唱片,那種人聲的圓潤在數碼碟是找不到的.數碼唱片好多時錄下來的音質好像是死實實的.
會不會是剪接手法影響呢?以前膽機年代,大家錄音要一氣呵成,每一次的臨場演奏,水準和靈感都不同,亦甚考功夫,所以各人皆悉力以付.數碼化後,唔得可以重錄某段n次,久而久之,人們不再用功,我們便只多了一批唱片名星,但失去了大批現場演奏家或有實力的歌星.
現代很多演出者或出版商都急功近利,底子未打好,就話出唱片,挑戰高難度,很多就是這樣侉了台的,失去了聽眾的支持.
以前的大唱片商都會簽下專屬歌手及演奏家,找來大師指度,續步發展曲目的.絶不會叫一位舒情女高音走去唱杜蘭多的曲目.可惜現在這種明知故犯的情況郤比比皆是!
現在真正有心和財力培養歌者和演奏家的公司,恐怕得DG一間.
原帖由 LouisLee 於 7-6-2009 14:03 發表家陣 D 數碼器材, 數據就寫到天下無敵, 但係錄出嚟嘅質感好多時都比唔上半世紀前嘅膽機錄音, 真係唔知究竟係石機不如膽機, 還是錄音師嘅功力問題???
maybe we should have an oldcake HiFi equipment discussion also
http://www.oldcake.net/viewthread.php?tid=11426&extra=page%3D1
Artur Schnabel plays Beethoven
Piano Sonata no. 14 "Moonlight"
I. Adagio sostenuto - II. Allegretto
http://www.youtube.com/watch?v=n79x1zKSWto&hd=1
III. Presto agitato
http://www.youtube.com/watch?v=MoqzQGap7EE&hd=1
Studio recording, April 10-11 1933
Fur Elise
http://www.youtube.com/watch?v=WERxA9U8RZc&fmt=18
Artur Schnabel playing Beethoven's Bagatelle #6 in A Minor (Fur Elise) for HMV in 1932.
Beethoven Sonata #32 in C min Op. 111
1. Maestoso; Allegro con brio ed appassionato
http://www.youtube.com/watch?v=CpiPHjSRUOg&fmt=18
2. Arietta: Adagio molto, semplice e cantabile
http://www.youtube.com/watch?v=afQOgAiCy1o&fmt=18
http://www.youtube.com/watch?v=0DSXD_sxOIA&fmt=18
原帖由 LouisLee 於 10-6-2009 01:09 發表大提琴之父 Pablo Casals 經典錄音Pablo Casals plays BACH - Suite no 1 for Cello (1954)Part 1http://www.youtube.com/watch?v=VhcjeZ3o5us&fmt=18Part 2http://www.youtube.com/watch?v=xBp_R_RcbEw&fmt=18Pablo ...
在禮儀師中我都有睇到....
小弟都有收藏黑膠見到你提到 Pablo Casals 我都有一隻, 在碟上有他的刻名, 只是在網上對比過可能是他親手刻的.....
不過 d 隻碟只作收藏都唔會聽...
原來LouisLee都是收碟之人..

Tosca (Vissi d´arte) by Maria Callas
1964 Convent Garden
1958 Paris
Mozart - Queen of Night
http://www.youtube.com/watch?v=_ufeyarJxNQ
Rita Streich - Queen of the Night Aria
http://www.youtube.com/watch?v=COAptyz_GRY
http://www.youtube.com/watch?v=DvuKxL4LOqc
http://www.youtube.com/watch?v=9aNwiiC_kfQ
GRUBEROVA Queen of the Night Magic Flute Mozart
http://www.youtube.com/watch?v=Y4XbxQkO6q8
English Version!!!
http://www.youtube.com/watch?v=8Z6CWz7motg
Miklosa- Queen of Night Der Holle Rache
http://www.youtube.com/watch?v=Y24VZ9p2xWg (演夜之后女兒的好像是中國花腔女高音黃英)
Renata Tebaldi - O mio Babbino caro (Concert)
Kiri te Kanawa - O mio babbino caro - Puccini
Angela GHEORGHIU - O mio babbino caro - G Schicchi - Puccini
Sissel - O Mio Babbino Caro
Leontyne Price sings "O mio babbino caro"
http://www.youtube.com/watch?v=Y9OFIVyQTlE
M. Caballe "O mio babbino caro" Gianni Schicchi
http://www.youtube.com/watch?v=r2OlNXFyOkQ
Hayley Westenra - O Mio Babbino Caro
http://www.youtube.com/watch?v=3nLKXxzVqTY
原帖由 LouisLee 於 10-6-2009 23:54 發表Artur Schnabel plays BeethovenMoonlight Sonata 1st Movementhttp://www.youtube.com/watch?v=-fG22DBnqVI&fmt=182nd Movement http://www.youtube.com/watch?v=jIp8jScIR2w&fmt=183rd Movementhttp://www.youtube ...
原帖由 虎榮 於 12-6-2009 04:23 發表O mio babbino caro,mi piace è bello, bello;vo'andare in Porta Rossaa comperar l'anello!Sì, sì, ci voglio andare!e se l'amassi invano,andrei sul Ponte Vecchio,ma per buttarmi in Ar ...
原帖由 虎榮 於 12-6-2009 03:57 發表Mozart - Queen of Night "Queen of the Night" Lucia Popp: "Der Hölle Rache" http://www.youtube.com/watch?v=_ufeyarJxNQ Rita Streich - Queen of the Night Aria http://www.you ...
唔緊要, NAXOS 有出 CD, 平靚正!!! 
Kanawa 是我很喜歡的女高音之一,家中還有很多她的專集,她的舒情嗓子及聲音傳送技巧在行內是出了名的 ,她的阿維農之歌是不可錯過的版本!
她所錄的Tosca及蝴蝶夫人都聽過,都不錯,但不是我最喜歡的版本.
雖然不是每個人都喜歡Callas(卡拉絲)的聲線(這個屬另一專題,日後有機會再談),但她的Tosca是近四十年無人可超越的.Kanawa的蝴蝶夫人雖美,但這曲目並不適合她的聲線類形,她唱來太華美及成熟,不太配合原劇本秋秋桑的青澀年華,反而中國花腔女高音黃英.女中音楊寧及男高音范競馬十多年前有份灌錄的版本給人一種清新及驚艷的感覺.當中我真正聽到一位黛綠年華的秋秋桑.不過,不論是黃英還是Kanawa,她們都只會在唱片上演出蝴蝶夫人這個吃重的角色,以她們本來極其舒情的聲線,唱現場根本無可能穿透Puccini原譜的強勁管絃樂.事實上,Kanawa亦曾經嘗試現場挑戰Tosca,結果是她頗有自知之名,從始不再現場演出這一曲目.
說回Kanawa,前年聽她在港的演唱會,聲音還保持得不錯,不像60歲開外的人了!
不過作為歌劇界Diva,脾氣雖不像Kathleen Battle般大,但還是有的.
當晚演唱會因全院滿座,場地開了少少冷氣,可能影響她的嗓音,她小休回後台時,即刻向工作人員開火,話明唔息冷氣唔出場傔即走,嚇到班工作人員即刻關冷氣,安歌亦只是禮貌地兩首.
原帖由 Kal-El 於 14-6-2009 18:20 發表Queen of Night 是在魔笛中一首難度非常之高的詠嘆調, 好考演出者的演唱功夫, 亦是我很喜愛的一首, 仲專登由碟中轉出黎, 成日聽先安樂
咁你最錯意邊一位夜之后呢?
韓國的花腔女高音曹秀美今年會來港演出!她可是卡拉揚晚年一手提携的,你會唔會去聽?她是現今夜之后代表之一,她善長法國曲目,不大是我杯茶!
其實不單是夜之后難唱,所有莫扎特的詠嘆調均有一定難度.他的曲目要求非常純淨的風格,不容許半點拖泥帶水,嗓子要像完美樂器一般,所以夜之后基本上人見人怕的.他的所有男高音詠嘆調中,高音C不在多數,反而高音A佔最多,但都十分難唱,不單高低音及速度落差大,吊嗓子之餘,還要求聲音有超強韌力.相比起來,羅西尼詠嘆調雖然有明顯超高音,還要求男女高音有花腔技巧,但風格上較有彈性,由於講求音樂弧度(legato)及線條美,音階往往是拾級而上,相對較易.
原帖由 虎榮 於 12-6-2009 03:57 發表Mozart - Queen of Night "Queen of the Night" Lucia Popp: "Der Hölle Rache" http://www.youtube.com/watch?v=_ufeyarJxNQ Rita Streich - Queen of the Night Aria http://www.you ...
Lily Pons - Der Hölle Rache / Die Zauberflöte 1928
http://www.youtube.com/watch?v=r48iI4jdluE&fmt=18
81 年前有咁靚錄音, 簡直係奇蹟!!!
Lujza (Luise) Szabó - "Der Hölle Rache" (1931)
http://www.youtube.com/watch?v=1EEioIo8Ils&fmt=18
Frieda Hempel sings "Der Hölle Rache" on German Grammophon 1911
http://www.youtube.com/watch?v=f6-qMhomtGo&fmt=18
Roberta Peters - "Der Hölle Rache" - Die Zauberflöte
http://www.youtube.com/watch?v=KZEovluFn38&fmt=18
Mimi Coertse sings Der Hölle Rache from Die Zauberflöte 1956
http://www.youtube.com/watch?v=FJouLil-cng&fmt=18
Wilma Lipp - Der hölle Rache 1950.
http://www.youtube.com/watch?v=h_bGoxEeIjI&fmt=18
Erika Köth sings "Der Hölle Rache" 1955
http://www.youtube.com/watch?v=OPID0rg-BNE&fmt=18
Beverly Sills - "Der Hölle Rache" - Die Zauberflöte
http://www.youtube.com/watch?v=A9UMk5_brSs&fmt=18
Lyrics:
The vengeance of hell boils in my heart,
Death and despair flame about me!
If Sarastro does not through you feel
The pain of death,
Then you will be my daughter nevermore.
Disowned may you be forever,
Abandoned may you be forever,
Destroyed be forever
All the bonds of nature,
If not through you
Sarastro becomes pale! (as death)
Hear, Gods of Revenge,
Hear a mother's oath!
-------
Der Hölle Rache kocht in meinem Herzen,
Tod und Verzweiflung flammet um mich her!
Fühlt nicht durch dich Sarastro
Todesschmerzen,
So bist du meine Tochter nimmermehr.
Verstossen sei auf ewig,
Verlassen sei auf ewig,
Zertrümmert sei'n auf ewig
Alle Bande der Natur
Wenn nicht durch dich!
Sarastro wird erblassen!
Hört, Rachegötter,
Hört der Mutter Schwur!
------
Egy szót sem!
Pokoli lánggal ég a bosszú bennem,
Zord bosszú vágya árad rajtam át,
Bosszuld meg őt, Sarastrót átkom sújtsa,
És kínzatlan ne hagyjad,
Mert minden átkom visszaszállna rád,
Mert minden gyász ezer átka szállna rád!
Kínom átka szállna rád!
Én eltaszítlak téged, én megtagadlak
téged,
Az átkom sújtson téged, soha lányom
nem vagy már!
E tőr, e tőr Sarastrót most nem éri!
(Paminának tőrt ad át)
Halld, halld, halld!
Bosszú-isten! Halld az eskümet!
原帖由 虎榮 於 17-6-2009 03:18 發表咁你最錯意邊一位夜之后呢? 韓國的花腔女高音周淑美今年會來港演出!她可是卡拉揚晚年一手提携的,你會唔會去聽?她是現今夜之后代表之一,她善長法國曲目,不大是我杯茶! 其實不單是夜 ...
演出者為Antonia Fahberg, Dietrich Fischer-Dieskau, Evelyn Lear, Franz Crass, Friedrich Lenz, Fritz Wunderlich, Roberta Peters
但比我揀, 我想要番以前個隻...
原帖由 LouisLee 於 18-6-2009 00:15 發表Lily Pons - Der Hölle Rache / Die Zauberflöte 1928 http://www.youtube.com/watch?v=r48iI4jdluE&fmt=18 81 年前有咁靚錄音, 簡直係奇蹟!!! &n ...
原帖由 Kal-El 於 18-6-2009 16:27 發表![]()
其實我最鐘意的版本是DG出品, 70-80年代的綠音, 可惜張CD已因年代久遠, cd外圍邊已被侵蝕, 不能再聽(好心痛), cd己掉, 忘掉演出者
DG 版應該好易買得返, 70 - 80 年代錄音, 睇下會唔會係呢隻:


我都知第二隻唔係, 嗰隻係 50 年代錄音, 不過個指揮同歌唱班底就超勁。
荷里活超級靚聲女高音 Deanna Durbin (Born 1921)


When You're Away - Victor Herbert
http://www.youtube.com/watch?v=dyhf2m-VywE&fmt=18
The Old Refrain (Fritz Kreisler)
http://www.youtube.com/watch?v=1n8jqR6VzUY&fmt=18
La Boheme - Musetta's Waltz
http://www.youtube.com/watch?v=_iMcvwERomQ&fmt=18
Tosca - Vissi d'arte
http://www.youtube.com/watch?v=phiZLzaOQaw&fmt=18
如果同歌劇院前輩大老倌比, Deanna 未必係唱功最勁嗰個, 但係就多咗份親切感與人情味, 令人百聽不厭!!!
Summary: The daughter of an unemployed musician, decides she will persuade the famous conductor Leopold Stokowski to help her launch an orchestra that will employ her widowed father and 99 out-of-work musicians.


原帖由 LouisLee 於 18-6-2009 00:15 發表Lily Pons - Der Hölle Rache / Die Zauberflöte 1928 http://www.youtube.com/watch?v=r48iI4jdluE&fmt=18 81 年前有咁靚錄音, 簡直係奇蹟!!! &n ...
唔系LouisLee兄提起,我差點忘了Lily Pons 及 Roberta Peters兩位當年盛極一時,於不同年代雄霸美國大都會歌劇院的花腔女高音,真系罪過罪過!
Lily Pons 是承繼意大利花腔女高音Galli-Curci,於二十世紀初期雄霸美國大都會歌劇院的法國花腔女高音.她可算是生得逢時,她剛出道,便遇上Galli-Curci因為聲帶問題而要悽然離開大都會歌劇院,劇院因為極欲找人填補空缺,便選上了她.
論花腔技巧,她當然算是頂尖級數,但比起Galli-Curci還要差半線,所以當年若不是Galli-Curci聲帶出了問題,她恐怕在美國沒有出頭天,至少沒有這麼快!這段錄音很清澈,沒有一般舊唱片的雜音,好似現場一樣,人聲十分圓潤.收音師工夫好到家
不過Lily Pons有Joan Southerland的同一毛病,就是錄音時感情不大投入,與現場表演有差別,若有留意,她於高音域有很多氣聲,這應該是聲帶合攏關閉進入頭聲期間出現不協調的情況所致,所以常聽到好似有据喉聲的情況出現,由於這可能是先天聲帶問題又或個人習慣造成,喜歡的會說這是特色,不喜歡的則會擔心她磨斷聲帶(說笑!
).所以她不是我喜愛的夜之后.
Roberta Peters出道較Lily Pons 晚很多,算是後輩.她在夜之后中的High F很到位,聽落令人放心得多
.她容貌皎好(有LouisLee兄你條片為証!
),可惜差在腳短(呢樣我自己有片為証!
),音色浧光澰艷 ,變化多端,是十分出色的花腔女高音.我家裡的Lucia Di Lammermoor (魂斷南山)版本便便是由她主唱.
原帖由 Kal-El 於 18-6-2009 16:27 發表其實我最鐘意的版本是DG出品, 70-80年代的綠音, 可惜張CD已因年代久遠, cd外圍邊已被侵蝕, 不能再聽(好心痛), cd己掉, 忘掉演出者我現時聽的版本亦為DG出品, 90年版 Normal 0 0 2 ...
你呢隻唱家班十分強勁,淨系有Dietrich Fischer-Dieskau, Fritz Wunderlich及Roberta Peters三人已經值回票價
.不過我懷疑你呢隻只是90年再版,因為Fritz Wunderlich很早便因為家居意外腦出血逝世
(若果他在世多一點時間,過氣三大男高音可能無訂企!
),而Roberta Peters則於80年代中後期已退休,所以他們無可能於90年再錄魔笛.隻碟元祖版本應該即是LouisLee兄介紹的第一隻魔笛CD.CD編號為DG 449 749-2,這可是當年日本唱片藝術首獎及企鵝三星的得獎唱片.
其實LouisLee兄介紹的第二套亦好正(DG459497-2 / DG 435 741-2)!Ferenc Fricsay 指揮,Stader / Streich / Haefliger / Dietrich Fischer-Dieskau等風格純淨的歌唱家演譯,別具韻味!可惜當年為單音版本,加上我比較喜歡Fritz Wunderlich及Roberta Peters二人,若二選一,我還是會推薦LouisLee兄介紹的第一套版本.
Amelita Galli-Curci為正宗意大利美聲花腔的傳人.於二十世紀初期一直雄霸美國大都會歌劇院花腔女高音的首席女伶位置.後來因為聲帶出現問題,做了一次小手術,但無復當年勇,為大都會棄用,最後只好悄然回國,鬱鬱而終.
據正式文獻記錄,她是到目前為止,唯一一個女高音可唱至double high C的音域,即High Eb 再上一個的高音C!
雖然不是每一個人都喜歡她那種咬字的"粘"腔,但她的技巧及音域,呼氣和排句都是一等一.一般女高音在超高音域(HighC至High F)都會十分緊張,青筋暴現,心有餘而力不足,但她從不會有此問題,在這些音域中還可以玩技巧,包快速倚音.延長音.控制聲量漸大漸細.
原帖由 虎榮 於 21-6-2009 05:37 發表Amelita Galli-Curci為正宗意大利美聲花腔的傳人.於二十世紀初期一直雄霸美國大都會歌劇院花腔女高音的首席女伶位置.後來因為聲帶出現問題,做了一次小手術,但無復當年勇,為大都會棄用,最後只好悄然回國,鬱鬱而 ...
原帖由 虎榮 於 21-6-2009 05:00 發表你呢隻唱家班十分強勁,淨系有Dietrich Fischer-Dieskau, Fritz Wunderlich及Roberta Peters三人已經值回票價 .不過我懷疑你呢隻只是90年再版,因為Fritz Wunderlich很早便因為家居意外腦出血逝世 ...

佢話呢d古典音樂成日突然大聲又突然細聲, 嘈住佢訓覺, 不過就算我播日本歌同卡通歌, 佢都係一樣閙, 冇計.....原帖由 LouisLee 於 18-6-2009 23:53 發表荷里活超級靚聲女高音 Deanna Durbin (Born 1921) Danny Boyhttp://www.youtube.com/watch?v=j32Fnb_8Bv4&fmt=18The Last Rose of Summerhttp://www.youtube.com/watch?v=4FyzxhLWUxY&fmt=18Loch Lomondhttp://www. ...
簡直系人靚聲甜!
佢果首為了藝術為了愛,直情有令我想背叛卡拉絲的衝動!
其實歌劇女伶唔一定個個好似山東亞姨咁款!下面果個都好睇得吓!唔知系唔咪 LouisLee兄杯茶!
原帖由 Kal-El 於 21-6-2009 07:50 發表是90年再版, 果隻碟係我現時經常手羅出黎聽的, 播放頻率相當高的一隻, 已經比我閙....佢話呢d古典音樂成日突然大聲又突然細聲, 嘈住佢訓覺, 不過就算我播日本歌同卡通歌, 佢都係一樣閙, 冇計.....
Me too!
送首歌你聽!
原帖由 虎榮 於 21-6-2009 14:36 發表簡直系人靚聲甜! 佢果首為了藝術為了愛,直情有令我想背叛卡拉絲的衝動! 其實歌劇女伶唔一定個個好似山東亞姨咁款!下面果個都好睇得吓!唔知系唔咪 LouisLee兄杯茶!

呢幾個版本都好正:
"Bailero" Chant d'Auvergne - Madeleine Grey 1933
http://www.youtube.com/watch?v=qVX29N2E0z0&fmt=18
Gérard Souzay, Chants d'Auvergne, Bailero, Joseph Marie Canteloube
http://www.youtube.com/watch?v=uvlFgyBiFUk&fmt=18
Anna Moffo / Leopold Stokowski - "L'Antounèno" and "Baïlèro"
http://www.youtube.com/watch?v=GJo_Y-S01sw&fmt=18
有「白頭佬」指揮, D 音樂零舍醒神!!!
原帖由 Kal-El 於 22-6-2009 19:33 發表多謝你, KANAWA演出果然很精彩, 呢D歌真係越聽越有味道, 我要在很靜又沒有人煩我的時間, 才會選擇呢類歌來聽....聽的時候特別有味道....就好似舒伯特的天鵝之歌一樣, 都係需要寧靜時聽才有味的歌PS: 我想問, 點先可以 ...
在Youtube版面右邊通常有兩條link,copy直接嵌入版面果條link(即第二條),然後在oldcake帖中用插入鏈接(即瑣鏈公仔)將條link放上去就得,編輯時想睇睇嵌入效果,指一指個畫面就得.不過唔系每一個Youtube版面都用得着,因為有d版面會停用呢個功能.
原帖由 虎榮 於 23-6-2009 01:58 發表在Youtube版面右邊通常有兩條link,copy直接嵌入版面果條link(即第二條),然後在oldcake帖中用插入鏈接(即瑣鏈公仔)將條link放上去就得,編輯時想睇睇嵌入效果,指一指個畫面就得.不過唔系每一個You ...
唔記得提大家, 如果想要靚聲靚畫面, 就唔好用嵌入, 而係喺條 link 嘅 ID 處加上 &fmt=18, 咁就可以有高清效果。
原帖由 LouisLee 於 23-6-2009 01:05 發表呢幾個版本都好正: "Bailero" Chant d'Auvergne - Madeleine Grey 1933 http://www.youtube.com/watch?v=qVX29N2E0z0&fmt=18 Gérard Souzay, Chants d'Auvergne, Bail ...
多謝好介紹!
我好鐘意Anna Moffo 個版本,Stokowski指揮o既音樂充滿靈動飄渺的感覺,與歌者旗鼓相當,誰也搶不了誰的丰彩,相得益彰!正!
Gérard Souzay個版本感覺好特別,有一種懶洋洋,深夜在一間空酒吧,露天飲酒賞月的感覺.
原帖由 LouisLee 於 23-6-2009 02:28 發表唔記得提大家, 如果想要靚聲靚畫面, 就唔好用嵌入, 而係喺條 link 嘅 ID 處加上 &fmt=18, 咁就可以有高清效果。
明白晒!
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